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In recent months the magazine was honored by its peers at other Jesuit universities as the top magazine published by a Jesuit university and by the Catholic Press Association (CPA) with Alumni Magazine of the Year. Santa Clara Magazine is no stranger to national awards this year. Setting “a Standard for the Entire Industry” Photography: “Coffey Park” by photographer Noah Berger, Spring 2018

Single edition design excellence: Summer 2017.

It depicts Billy the Kid as a figure torn between good and evil-inspired by the most recent novel by writer Ron Hansen, who teaches at Santa Clara University. The magazine also brought several honorable mentions in the OZZIE awards for design:Ĭover: “The Good, the Bad, and the Kid,” illustrated by Tim O’Brien for the summer 2017 edition. Body of work by a single writer: For a range of stories by editor Steven Boyd Saum, ranging from election observing in Belarus (the last dictatorship in Europe) to a look back at when the 101st Airborne was sent into Little Rock, Arkansas, to ensure nine African-American children could attend high school.The writers honored were Kerry Benefield, John Nova Lomax, and Matt Morgan.

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Series of articles: “Aftermath of Disaster,” bringing together stories on how people have coped in the aftermath of the tragic Wine Country fires, Hurricane Harvey, Hurricane Irma, and the earthquake that struck near Mexico City in 2017.

The magazine also garnered a pair of honorable mentions in the EDDIE awards for editorial excellence: government for understanding the dire consequences of climate change but pursuing policies that have worsened it. The lawsuit is brought on behalf of 21 young people suing the U.S. The cover feature story was by writer Deborah Lohse, “The Most Important Lawsuit on the Planet,” taking a deep dive into the case Juliana v. Stauffer regularly contributes work to The New York Times, TIME Magazine, The New Yorker, and other leading publications. Santa Clara Magazine won the top cover award for its fall 2017 edition, which featured an illustration by artist Brian Stauffer on the theme “Justice for All.” Stauffer depicted the Washington Monument as a factory smokestack before an orange-colored sky-a spare and startling image.

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